2011.03.07

Not so coincidentally, my colleague Mike Lowery took my sketch, intentionally misinterpreted everything, and came up with this phenomenal rendition.

So I’ve gone and taken one of his…

and paid him back…

2011.03.05

I was recently asked to do an illustration for NINH’s winter collection, the only request being to showcase one or more of Ninh Nguyen’s designs in one way or another. I’ll take the chance and post a bit of its process.

As the title of the piece may suggest, this work is based on Herne the Hunter, the ghost of the wild hunt and the forest. His common depiction as an antlered man binds him as a manifestation of Cernunnos. His earliest written account comes from one of Shakespeare’s comedies, The Merry Wives of Windsor.

I use this as inspiration to begin sketches, the reason being my need to tell a story. This is the sketch.

The refined linework is almost all digital except for some of the hair, which started as an experiment in clayboard and then was moved into computer and enhanced. At the time, I was in the process of executing an inks and clayboard demo for one of my classes and had an extra piece of clayboard lying around with which I decided to have some fun.

I feel very few distinctions in the usage of digital and traditional media. In fact, the very separation of the terms digital and traditional, although logical, bothers me. All media have a peculiar feeling to them. But even with their respective advantages and limitations, their differences depend more on the artist than they do on nature of the medium. To me, they all feel more similar than they do different.

For the final, the colors remained simple to let some of the heavier linework shine through.

Can This Marriage Be Saved I

Can This Marriage Be Saved I

Client: Lady’s Home Journal
Art Director: Travis Ward

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Herne

Herne

Client: NINH
Art Director: Ninh Nguyen

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Corona Cruente

Corona Cruente

self-promotion

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Vessel

Vessel

Client: Designers Against Child Slavery
Art Director: John Mark

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Danse Macabre

Danse Macabre

Client: Tor Books
Art Director: Irene Gallo

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Peony

Peony

Client: Washington Post
Art Director: Kristin Lenz

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All Play No Work

All Play No Work

Client: The Work Style Magazine
Art Director: Paola Bettinelli

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Sufjan Stevens

Sufjan Stevens

self-promotion

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Rebirth Brass

Rebirth Brass

Client: The Village Voice
Art Director: John Dixon

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Boreal Helix

Boreal Helix

self-promotion

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Gray Figure

Gray Figure

Client: Textfyre
Art Director: David Cornelson

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Transfer

Transfer

Client: The Work Style Magazine
Art Director: Paola Bettinelli

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Image and Likeness

Image and Likeness

Client: Tor Boks
Art Director: Irene Gallo

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Disclosure

Disclosure

Client: The Work Style Magazine
Art Director: Paola Bettinelli

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Dedication

Dedication

self-promotion

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The Cat Who Walked a Thousand Miles

The Cat Who Walked a Thousand Miles

Client: Tor Books
Art Director: Irene Gallo

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Electoral Vogue

Electoral Vogue

Client: Adodi Muse

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